“ I responded to one YouTuber once who bashed my movie and then apologised and said that he really liked it, but he just did that for likes,” he said. The hardest lesson I learned and I learned it by myself, was to totally trust myself and my art, be happy in the moment, and make movies because I love it and not because of what viewers might think or say.” Obviously something he had to deal with the poor reviews and online badmouthing. That’s the real lesson I learned: to never read the Internet. Speaking several years after the release of the remake, director Travis Z said: “ The Internet that killed me, honestly. The hound is made up to look a lot more threatening and diseased, and the aftermath of one encounter is particularly gruesome. The gore effects are quite similar, although there’s certainly an improvement when it comes to the ‘rabid’ dog that terrorises the house, too. The acting in general is of a much higher standard too. This certainly makes the lines about “ coming over to party” seem a bit sexier. In Roth’s movie, he’s a goofy young lad who doesn’t appear old enough to grow a moustache, while in the 2016 version, the character is an attractive woman with a scar under her eye who takes a shine to one of the lads. The changes that are made – particularly in the character of Deputy Sheriff Winston – do improve the film. There’s a lot to recommend in Travis Z’s update, however. This was possibly caused by the fan’s love of Roth’s original and the growing disapproval of remakes in general. There’s no getting around it, the response to the remake was largely negative. Worst still, one of the girls has started being very ill… The following day, the whole crew are wracked with remorse, but are unable to report it or get help as their car has been trashed during the melee. Recognising Bert, he freaks out and tries to steal their truck. This comes back to cause an even bigger problem when the hermit turns up at the cabin demanding help. He naturally neglects to mention anything about him. Promising to get help, he dashes back to the group. It’s during this macho time that he comes across the hermit, who is already suffering heavily from the flesh-eating virus he picked up from his dog. Being a video game addict, he’s already voiced his concern about not being able to play online for a whole week, so it’s the nearest he has to Call of Duty. Once they get to the cabin – which is much swisher than the one in Roth’s version, and is more of a lake house – they make themselves at home and Bert (Dustin Ingram) decides to go shooting in the woods. Yes, we know it’s such an original premise, right? There’s a harbinger of things to come when they stop at a gas station and one of them is bitten by a creepy kid in a handmade bunny mask. Fortunately, the cinematography by Gavin Kelly makes the most of the luscious location and increased budget to allow for some impressive aerial work.įive college friends are off to celebrate spring break by renting a cottage in the middle of the woods. From the opening moments of the hermit hillbilly finding his beloved dog, Pancakes, dead and being sprayed with infected viscera, everything feels familiar. The 2016 film follows the original almost beat-for-beat. With Roth on board as executive producer, director Travis Zariwny (billed as the more exciting Travis Z) would undertake the daunting and seemingly redundant task of updating a movie that was just over fifteen years old. This wasn’t to be, however, and the decision was made to go back to the source and remake the original. Originally, there was going to be a movie shot back-to-back with the third in the series, Cabin Fever: Patient Zero, with the virus breaking out on a cruise ship. It was so successful, a string of sequels followed. Although not as overly knowing as those films, it played with the tropes of horror films and was highly entertaining. The 2002 film Cabin Fever was not only Eli Roth’s directorial debut, but provided a shot in the arm for the genre in the same way Scream and later The Cabin in the Woods did.
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